COLLECTOR´S INTERVIEW TEYWAN G. FOROUGHI / BEATRIZ MORALES

Ana Horta: Thank you very much for taking the time to do this interview. As you know, several works by Beatriz Morales are currently showcased in the duo exhibition Tactile Heritage at Circle Culture Gallery in Berlin. You own several pieces by Beatriz—nine, if I’m not mistaken. Could you share how you first discovered Beatriz´s her work?

Teywan G. Foroughi: Yes, nine pieces! Actually, my wife was the one who first discovered Beatriz’s work. It all started when an influencer posted a picture of one of Beatriz’s pieces on her wall. At that time, I was working on some interior projects for football players in Munich as part of my job and was looking for art to include in their homes. My wife showed me Beatriz’s work, and I immediately felt a connection to it. Growing up surrounded by art and galleries, I knew I needed something special, and Beatriz’s work spoke to me in a way that was unlike anything I’d seen before. The first piece I bought was from the Sounds I’ll Never Hear series, and it immediately became the centerpiece of our living room.

Ana Horta: Could you describe what it was about Beatriz´s work in general that initially drew you in?  

Teywan G. Foroughi: What I find captivating about Beatriz’s work is how it feels like a form of non-verbal communication. It isn’t just about looking at art—it is about engaging with it and interpreting the work in a personal way.

As mentioned, the first piece I bought from Beatriz felt different from anything I’d acquired before. It wasn’t just something to hang on the wall and say, “Oh, that’s nice, it’s mine.” It was the first piece of art that I felt proud of and connected with on a deeper level, and it´s still one of my favourite pieces in the collection. 

We live with this piece every day and it continues to bring us joy. It’s not just the colors, the textures, or the fabrics, but also the embroidery element that stands out. The process of figuring out how the piece should be displayed—the rotation and placement—became a dialogue between me and Beatriz. She left it up to us to decide how it should be presented, turning the act of displaying the art into a personal experience. It wasn’t just about adding decoration to the space; it became a meaningful interaction with the work, a way to really connect with it on a deeper level.

Ana Horta: That´s wonderful – it sounds like your connection with Beatriz’s art goes far beyond just appreciating it visually. 

Teywan G. Foroughi: Exactly. The first piece we bought wasn’t about acquiring something just for the sake of ownership—it was about living with the work. It became part of our environment, almost like it was an extension of our home. We carefully considered how to frame and display it, choosing a thin oak frame that complemented the piece perfectly. And then, as Beatriz released new works, we continued to connect with her evolving style. Each piece brought a different energy to our space, like the work from the Atmosphere series, which led us to completely rearrange our living room to give it its own special place.

Dirk Staudinger:  A question I often get from other collectors—is about artists who evolve and change their styles over time. Beatriz practice spans several distinct yet parallel, ongoing series. Do you feel there’s a thread or common theme that runs through her various bodies of work? How do you feel about her ongoing evolution as an artist? 

Teywan G. Foroughi: For me, it’s exciting to see how Beatriz’s work evolves. I think her exploration of new materials and themes keeps it fresh and intriguing. Each phase—whether it’s Sounds I’ll Never Hear, Atmosphere, or her portraits—speaks to me in a different way. I appreciate that she’s not afraid to change direction and experiment with new ideas. It would be boring if she kept repeating herself. What excites me is the unknown—what new direction will she take? Every time she shifts, I feel like I’m discovering a new part of her journey. I also think it’s beautiful that Beatriz shares so much of herself through her work—it’s not about evaluation, it’s about feeling something, connecting with it. That’s why I appreciate her diversity in her work – it´s the variety, the constant reinvention that keeps me captivated.

Ana Horta: You’ve mentioned that the first piece you bought from Beatriz is your favorite in your collection. What is it about that exact piece that makes it stand out?

Teywan G. Foroughi: The first work from the Sounds I´ll Never Hear series marked the start of my connection to Beatriz’s art, and it has been with me every day since. What I love about it is how it constantly invites me to engage with it. I don’t just pass by—it pulls me in. I think when you stop and really look at a piece of art, something happens. It creates a deeper connection. This piece is a constant source of inspiration for me, and every time I see it, I discover something new.

Ana Horta: How do the works in your collection impact your life and the atmosphere in your home? What do they bring to you, personally?

Teywan G. Foroughi: It’s like asking a child, “What does your favorite blanket bring to you?” It’s part of your life, your surroundings, your sense of safety. Your home is your sanctuary, and if a piece of art is there, it becomes part of that space. It’s like a hug—it’s just always there, adding to the feeling of being at home.

Ana Horta: That´s such a great way to put it. Final question for today –  if you were advising someone who’s looking to buy their first piece of art, what would you tell them?

Teywan G. Foroughi: If you find a piece that speaks to you—something that gives you an emotional reaction—then that’s your sign. Art should evoke a feeling, it is about emotion. If you can afford it, don’t overthink it. Of course, I wouldn´t recommend to make impulsive decisions, but if you find yourself thinking about the piece long after you’ve seen it, that’s when you know it’s the right one.

Ana Horta: Thank you so much for taking the time to share your insights. It was a pleasure hearing your perspective!

Teywan G. Foroughi: I’m really honored to have the chance to talk about Beatriz’s art and what she does. I think it’s quite special when an artist you don’t know personally becomes a part of your everyday life through their art. It’s an intimate experience—it evokes emotions and creates a very personal connection. I think that’s the power of art.

Who is Teywan G. Foroughi: 

Teywan G. Foroughi, based in Munich, is the founder and managing director of TGF Eventcreation. With a career spanning event and design agencies, he has specialized in both design and creative innovations for companies across various industries. Though he came to fully appreciate art later in life, it has always been a part of his world, as his French mother ran an art gallery. Today, Teywan is a passionate collector, focusing on Beatriz’s evolving body of work, with a collection that now includes around 30 pieces. For Teywan, art is not just about acquisition—it’s about fostering a connection, evoking emotion, and bringing meaningful presence into everyday life.